The temples of Java-Indonesia

The great monuments of Java are either Hindu or Buddhist, or more likely combinations of both. Most of the sites were built in Java's heroic age of temple constuction, which lasted from the 8th to the 10th centuries. For mysterious reasons, many of these sites were abandoned soon after they were built. Even if most Javanese are Islamic, they are generally not followers of the branches of Islam associated with the Near East. The Javanese have fused Islam with the island's traditional mysticism, much like the Sufis of northern India. It is far from the fundamentalist vision. For instance, it is illegal to agitate for the establishment of an Islamic state, and believers are required to sign a document declaring that they won't. Because of this native tolerance — at least for different spiritualities — many of the monuments of other religions were simply abandoned, rather than being defaced or destroyed. The greatest damage to the monuments have come in the last century, as expanding populations have moved into formerly deserted areas and pillaged ruins for building materials, or by art collectors, who have carted away sculptures for museums and private collections. But the destruction has abated. The Indonesian government, working with archeologists, has moved to protect and preserve these monuments.

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Indonesian Art of Textile

Although the process of decorating cloth through the process of batik is found in several regions in Africa or India and even in some South East Asian countries, the batik of Indonesia is unique and unequaled. Indonesian Batik is made in several regions, but the center of the art is Central Java, in cities like Yogyakarta, Solo, Cirebon, Pekalongan and Indramayu. The pride of Indonesians to wear batik till the present day has preserve this art of textile. The beauty of Batik is a tribute to the patience, creativity of the woman of Java, the main island of Indonesia. Credit should be also given to men who prepare the cloth and handle the dyeing and finishing process. Batik is generally thought of as the most quintessentially Indonesian textile. Motifs of flowers, twinning plants, leaves buds, flowers, birds, butterflies, fish, insects and geometric forms are rich in symbolic association and variety; there are about three thousand recorded batik patterns.

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Tantalizing Taman Sari (Water Castle), Yogyakarta

When a traveler is browsing in Kraton, then she/he should not miss The Water Castle or known as Tamansari, less than 1 Km west of Kraton. Just west of the Kraton, are the ruins, pools, arches and underground passages of the former pleasure gardens. It was built in 1758 by Sultan Hamengkubuwono I as a rest house and pleasure park for the Royal family. Tamansari means beautiful garden. It was badly damaged due to an earthquake in 1867. Some parts of it, for instance "Umbul Binangun" bathing pools have been restored.

Upon seeing the ruins of Taman Sari, some cultural experts say that it has multi purposed functions, such as:
1. A Rest house, in the form of water castle with beautiful park. The air is fresh due to:

• Artificial lakes and canals
• Bathing pools
• Large gardens with several kind of varieties of trees

2. A place for sport and entertainment

• Boating and swimming
• Deer hunting
• Classical dance Bedoyo and Srimpi
• Gamelan music

3. A place for meditation

4. An important palace and shelter for the Sultan. It was well protected. It had 2 Bastions
with 12 and 6 Cannons.

The Castle itself divided into two (2) complexes. They are:

1. Umbul Binangun - swimming pool complex
It is the swimming pool where only the Sultans women can frolic. In this complex only woman employees serve the Sultan. Theres also a three story tower, with Sultan private bedroom stands south of the swimming pool and The Sultans private bath-pool is behind the tower. Somewhere in the south part of the palace, there is a special place, believed to be Sultans meeting place, from time to time with the Goddess of the South Sea, Kanjeng Ratu Kidul.

2. Pulo Kenongo - Complex
Pulo Kenongo, the Palace of Kenongo Island was found in the middle of Segaran Taman Sari. (Taman Sari artificial lake, which was connected by water canal to the other artificial lake nearby the kraton) Kenongo is a name of flower trees planted in the front yard, where the fragrance spread out in the palace. Just like in a palace, there were living rooms, bedrooms, rooms to make Batik, a hall to perform classical sacred dance of Bedoyo and Srimpi, gates and sentry-boxes guarded strongly by the palace soldiers.


Getting There

There are two ways to visit this place. The one is through Pasar Ngasem Bird Market, just go inside and find an alley called KP III, turn left, walk about 200 m, there is the Pulo Kenongo rest house complex. The other is through Jalan Taman Sari, from Pasar Ngasem, go by becak to South Square, around 0,5 Km turn right, there is the East-main Entrance, leads the way to the Royal Swimming pools.


Where to Stay

Tourist who wants to stay in the heart of the city has many choices since there are a lot of star and non-star hotels available.


Moving Around

On foot


Other Things to See or Do

Sightseeing into the castles complex and buy some souvenirs at Pasar Ngasem.


Dining Guide

There are many local 'warungs' (food stalls) that serve local foods. You can try one of the famous Yogyakarta local dish calledGudeg, a curry of jackfruit, chicken and egg served with rice.


Souvenir Tips

Pasar Ngasem - Bird Market, here is a market place which sells several kinds of cute birds and pets. Traditional products and household earthenwares are also sold here. In this area Batik Painters do not only sell their products, but some also give instruction in this art. Art shops and galleries of medium quality can be found allong the alleys.


Travel Tips

• No travelers is allowed to take picture of Sultan private bedroom at Umbul Binangun - Swimming Pool Complex.

• For short distances you can take a becak (pedicab) to drive you around.

• Some drivers offer you a city-tour for almost a whole day for 10.000 Rp per person.

• Dress comfortably. Wear sneakers and a hat, the temperature in Jogjakarta is quite high. Bring along an umbrella, in case of rain.

• When visiting Kraton or Taman Sari, avoid wearing shorts or mini-skirts. Your pants or skirts should be long enough to cover your knees. This conveys the message that you understand the local customs. And the locals will also respect you more.

• Bring along a camera to capture the memorable moments. You are allowed to take pictures in this site with a minimum fee.

cited in : my-indonesia.info

Tari Pendet (Pendet Dance) From Bali Indonesia

Tari Pendet or Pendet Dance

Pendet is a traditional Balinese dance, in which offerings are made to purify the temple or theater as a prelude to ceremonies or other dances. Pendet is typically performed by young girls, carrying bowls of flower petals, handfuls of which are cast into the air at various times in the dance. Pendet can be thought of as a dance of greeting, to welcome the audience and invite spirits to enjoy a performance.

Traditional Balinese dances are the oldest form of performing arts in Bali. Traditional dances can be divided into two types, sacred dance called Wali and entertainment dance called Bebalihan. Wali (sacred dance) is usually performed in some ritual ceremonies only because it has strong magical powers and only can be performed by specific dancers. Bebalihan are usually performed in social events. In addition to entertain, Bebalihan also has other purposes such as: welcoming guests, celebration of harvests, or gathering crowds. Bebalihan has more variations than Wali.

Pendet is the presentation of an offering in the form of a ritual dance. Unlike the exhibition dances that demand arduous training, Pendet may be danced by anyone. It is taught simply by imitation.

Younger girls follow the movements of the elder women, who recognize their responsibility in setting a good example. Proficiency comes with age. As a religious dance, Pendet is usually performed during temple ceremonies.

All dancers carry in their right hand a small offering of incense, cakes, water vessels, or flower formations. With these they dance from shrine to shrine within the temple. Pendet may be performed intermittently throughout the day and late into the night during temple feasts.

The original Pendet dance is performed by 4-5 young girls (before their puberty) in temple yards. Pendet dancers bring flowers in small Bokor (silver bowls for keeping flowers in a ceremony). They spread the flowers around the temple. This dance is a symbol of welcoming God in some ritual ceremonies in Bali. Pendet actually has simple dance movements. These movements are the basic dance movements of Balinese dance. Pendet has undergone later development with variations and now is not only performed in ritual ceremonies but also in some social events. Pendet since has been known as a welcoming dance.

Controversy Pendet dance

Pendet dance was used in the “Enigmatic Malaysia” tourism advertising. The fact that Pendet is unrelated to Malaysian culture, has caused protests among Indonesian public, including Balinese artists. Pendet dance is one of the many Indonesia’s originals that was and is claimed by the neighbouring country. This had caused many Indonesians to be furious about it. Although the Indonesian culture’s manager already did made reports about it, and protested it to the Malaysian tourism company.

Tari Pendet or Pendet Dance

Tari pendet, Budaya Indonesia, Indonesia Culture, Tarian Indonesia, tari Asal Bali, Bali Dance.

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